The cheque at the end of the Chortle Student Comedy Award is £1,000, with £250 for the runner-up. The comedians who have stood roughly where its seven 2026 finalists will stand on 18 August include Joe Lycett, Ed Gamble, Richard Gadd, Phil Wang and Chris Ramsey. That is a lot of BBC and Netflix to hang off a student prize that wouldn’t cover a month’s Fringe flat. The final runs at 10pm on 18 August at the Pleasance in Edinburgh, in the middle of the festival. Before that, the whole bill plays the comedy arena at Latitude over the weekend of 23 to 26 July. So the run-in for this lot starts in a Suffolk field next week.
Who’s in the Chortle Student Comedy Award 2026 final?
Seven acts came through the heats: Adam Ernest Pickard, Eva Peroni, Kathy Rivett, Will Finney, Francesca Best, James Perham and Isaac Tompkinson. Pickard, 22 and from Godalming in Surrey, is doing an MA in scriptwriting at the University of East Anglia. He won the Brighton semi-final at Komedia. Peroni, 21, is a second-year global law student at Edinburgh and already a regular on the Scottish circuit. She won her London semi and has since picked up the Brass Tacks Debut Fund, the production-company money that helps working-class Scottish acts get to the Fringe. Rivett, also 21, studies illustration with animation at Manchester Metropolitan and won the Manchester heat at the Fairfield Social Club. This is the second year running she’s reached the final, which either says something about her material or something about everyone else’s.
Two of the seven got in without winning a heat. Francesca Best, 28 and in her fifth year of medicine at Newcastle, took the people’s-choice place off an online poll. That came after her Manchester heat at that same Fairfield Social Club. The two wildcards went to James Perham, a 21-year-old third-year history student at York. The other went to Isaac Tompkinson, a 22-year-old medical student at Cambridge. If you’re keeping count, that’s two trainee doctors on one comedy bill. That’s either reassuring or a warning sign, depending entirely on how the 10pm slot goes.
A grand, split two ways
Chortle’s own rules for the award don’t dress the cash up:
The act selected as the winner of the final by a panel of judges will win £1,000. The runner-up will win £250.
To enter, you had to be a full-time UK student, 18 or over on 1 January, with the deadline back on 14 February. The semis ran to five minutes a set; the final gives them seven, with 30 seconds’ leeway either way, which at this level is the gap between two good bits and a visible panic. The winner is picked by a panel, with one place reserved for the online vote and at least two wildcards, so the judges get a second look at acts who happened to die on a night the room was stone cold.
The £1,000 is the headline, but the room’s worth more than the cheque. A slot in the Latitude tent puts these acts in front of thousands of festivalgoers who queued for comedy on purpose, and a Fringe final drops them into the one fortnight of the year when every agent and booker in British comedy is within a ten-minute walk of the Pleasance courtyard, most of them clutching a warm pint and a lanyard.
Where this stage has sent people before
The reason a £1,000 student comedy award gets this much attention is the back catalogue. Past finalists and winners include Joe Lycett, Phil Wang, Ed Gamble, Richard Gadd, Chris Ramsey, Iain Stirling, Simon Bird and Ania Magliano, who this spring was hosting the Rose d’Or at Kings Place – a fair distance from a university heat. That hit rate is why agents block the student final out in their diaries.
It also puts the money in perspective against the other newcomer contests. The LGBTQ+ New Comedian of the Year opened this year with a £1,000 pot, the Not So New Comedian award handed its over-35s winner £150, and West End New Act of the Year trades more on prestige than on prize money. The Chortle prize sits in that same modest bracket for cash, but on who’s watching in August it’s well ahead – a Netflix executive now even chairs the grown-up Edinburgh Comedy Awards a few streets away.
Two medics and a lawyer walk onto the Latitude bill
What I like about this year’s seven is how ordinary the day jobs are. A medic in Newcastle, a medic at Cambridge, a law student in Edinburgh, a history student in York, an animation student in Manchester – people who’ll have a lecture the morning after Latitude and, in a couple of cases, a hospital placement to get back to after the Fringe. The heats ran in proper grassroots rooms too, the sort that never make a press release: Komedia in Brighton, the Fairfield Social Club in Manchester, Tuesday-night spaces where the PA hums and the stage light is a touch too bright for anyone’s comfort.
None of them will get rich on 18 August. What they’ll get is seven minutes at 10pm at the Pleasance, the graveyard-adjacent slot where a Fringe crowd is either loose and generous or three drinks past listening, and a credit that has, for twenty-odd years, quietly reappeared on Live at the Apollo bills a decade later. If you want to see who’s next, that’s the field in Suffolk and a late room in Edinburgh, in that order.
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