Sky and Universal Television Alternative Studio confirmed a 12-episode second run of SNL UK on 7 May 2026. The new series lands in autumn 2026 and stretches into early 2027, according to Variety. That is four more episodes than the eight-show debut. It is a clear vote of confidence from a network whose unscripted slate rarely commits this much budget to live comedy. Each episode reportedly costs about \u00a32 million, making it Sky’s priciest non-fiction production.<\/p>\n\n\n\n
The renewal arrived while series one was still airing. Hannah Waddingham hosts the penultimate week. Ncuti Gatwa closes the run. Eight names hosted before them: Tina Fey, Jamie Dornan, Riz Ahmed, Jack Whitehall, Nicola Coughlan, Aimee Lou Wood, plus Waddingham and Gatwa. The premiere drew 226,000 overnight viewers. Subsequent episodes ranged between 119,540 and 143,700.<\/p>\n\n\n\n
Linear ratings did not save SNL UK. Social did. The show hit roughly 86 million views across YouTube, Instagram Reels, X and TikTok during series one, per Deadline. A single Prince Andrew sketch alone topped 2.4 million YouTube plays. That clip economy is exactly what Sky bought into when it cleared the budget. It explains why a 226k linear premiere reads as a hit, not a flop.<\/p>\n\n\n\n
The pattern echoes the panel-show recovery we covered in our piece on Mock The Week’s TLC summer bonus<\/a>. Linear-first formats are surviving by living a second life in vertical video. SNL UK is the first British live sketch show built for that life from day one.<\/p>\n\n\n\n Three names keep returning in coverage: George Fouracres, Al Nash and Jack Shep. Fouracres came through Daphne and the Soho Theatre circuit. Nash and Shep both built followings on TikTok and Instagram before being cast. Sky’s Phil Edgar Jones, Executive Director of Unscripted Originals, pointed to the same talent pool. He told Deadline the show is “Sky’s most talked about show of the year” and “firmly part of the cultural conversation”.<\/p>\n\n\n\n For working comics watching from the circuit, that route in matters. The casting brief was not five years on Live at the Apollo. It was: post a tight character clip, build an audience, prove you can write fast for a Saturday turnaround. Our breakdown of Ashley Padilla’s SNL US ascent<\/a> flagged the same trend: technical writing chops plus a portable digital reel.<\/p>\n\n\n\n “I’m incredibly proud of our team and the show. It keeps getting better every week.” Michaels gave that quote when the renewal landed. Both Variety<\/a> and Deadline ran it verbatim. The line matters because the British version is co-produced by Broadway Video, his New York shop, alongside UTAS UK. Series two keeps that transatlantic structure. The writers’ room playbook still flows from 30 Rockefeller Plaza into Elstree.<\/p>\n\n\n\n SNL UK is now the single biggest weekly paid writing room in British comedy. Twelve series-two episodes means twelve more rooms, twelve table reads, and twelve more shots at a Sky-branded sketch credit. That is rare in a UK market where the post-Mock The Week era pulled satire commissioning back. The grassroots side keeps fighting for survival via the Live Comedy Association’s parliamentary push<\/a>. The high end suddenly has more room.<\/p>\n\n\n\n It also reshapes the booking line. Bookers running Saturday-night clubs now compete with a show that pays a comic to be in London on Saturday at 10pm. Banana Cabaret’s farewell<\/a>, which we covered last week, is one symptom of how London’s mid-tier circuit was already squeezed. The show adds another straw.<\/p>\n\n\n\n The renewal is being framed as proof that British TV can still bankroll live sketch. Our read is narrower. SNL UK is not a revival of British sketch. It is the first time a UK broadcaster has accepted that a comedy show can lose the linear race and still be a hit. Sky paid \u00a32 million an episode and received 86 million social views back. Strip out the Lorne Michaels brand and you would still book this show on those engagement numbers.<\/p>\n\n\n\n The risk is what happens to writers’ rooms a tier down. If Sky has set a new ceiling, the BBC and ITV will struggle to commission cheaper, weirder sketch. Those shows historically fed talent into formats like this one. The headline says “more comedy”. The mid-budget reality could mean less. Compare with our take on Lenny Henry’s 16-year tour return<\/a>: veterans coming back works only when the rungs below them stay funded.<\/p>\n\n\n\n Three risks deserve flagging. First, host pipeline. Series one pulled in transatlantic A-list. Series two has 12 weeks to fill, and the British host bench is thinner. Expect at least one football-adjacent personality and possibly a music-only week.<\/p>\n\n\n\n Second, defamation exposure. The Prince Andrew sketch worked. The next royal-adjacent piece will face tougher legal review now that the show is a confirmed brand asset.<\/p>\n\n\n\n Third, BBC reaction. With SNL UK locked in until early 2027, the corporation’s window for a competing live format narrows. The Liverpool BBC Comedy Festival on 13 and 14 May is its closest counter-statement. It will not be enough on its own.<\/p>\n\n\n\n When does SNL UK series two start?<\/strong> How many episodes does series two run?<\/strong> How much does each episode cost?<\/strong> Who are the breakout cast members?<\/strong> Is Lorne Michaels still involved for series two?<\/strong>The breakout cast<\/h2>\n\n\n\n
Lorne Michaels stays close<\/h2>\n\n\n\n
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– Lorne Michaels, SNL creator and executive producer<\/p>\n<\/blockquote>\n\n\n\nWhat it means for UK working comics<\/h2>\n\n\n\n
Open Comedy’s take<\/h2>\n\n\n\n
Risks and open questions<\/h2>\n\n\n\n
Key takeaways<\/h2>\n\n\n\n
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Sources<\/h2>\n\n\n\n
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FAQ<\/h2>\n\n\n\n
Autumn 2026, with the run extending into early 2027. Sky has not confirmed a specific premiere date.<\/p>\n\n\n\n
Twelve, up from eight in series one.<\/p>\n\n\n\n
About \u00a32 million, per Variety. That makes it Sky’s most expensive unscripted commission to date.<\/p>\n\n\n\n
George Fouracres, Al Nash and Jack Shep have drawn the most attention so far in series one.<\/p>\n\n\n\n
Yes. Broadway Video, his New York production company, co-produces with UTAS UK for Sky and Now.<\/p>\n\n\n\n